{"id":1453,"date":"2016-06-30T00:03:51","date_gmt":"2016-06-29T23:03:51","guid":{"rendered":"http:\/\/blog.lorenzobennassar.com\/?p=1453"},"modified":"2022-08-15T20:15:47","modified_gmt":"2022-08-15T19:15:47","slug":"simurg","status":"publish","type":"post","link":"https:\/\/lorenzobennassar.com\/blog\/2016\/06\/30\/simurg\/","title":{"rendered":"XXXL"},"content":{"rendered":"\n<p>Imagine being in a theatre waiting for the show to begin and suddenly the scenario in front of you starts to turn around itself unveiling an unexpected dimension. The music is loud and, as sound effects support what\u2019s happening in front of you, the entire scene starts moving down, making you feel as if the main floor you\u2019re on is a huge elevator. That\u2019s the beginning of the \u201cSimurg\u201d show. A musical about the wonders of the Ottoman empire, its roots, and its influence on the soul of today&#8217;s Turkish society, premiered at the Hali\u00e7 Congress Center of Istanbul on May 6th, 2016 as part of a national and eventually worldwide tour. A creative process that started for me last February when I was commissioned by <a href=\"https:\/\/cultura.acciona.com\/en\/\" target=\"_blank\" rel=\"noopener\">Acciona Producciones &amp; Dise\u00f1o<\/a>&nbsp;for the creative direction of this 80 minutes multimedia spectacle (<a href=\"http:\/\/bit.ly\/28PTtB3\" target=\"_blank\" rel=\"noopener\">more details here<\/a>). Most of the 3D mapping was projected onto a 900 square meter surface, the 60 by 15 meters front and sides of the scenario. The rest of the projections throughout the show performances took place in an incredible 30 by 5 meters background feather screen (25.000 feathers were needed). And all of it with the amazing acoustic of a live 42 musicians orchestra and 45 member choir.<\/p>\n\n\n\n<p>A new brand communication experience for me. The brand communication of a society aimed to invigorate the pride of an entire country. As the world is gazing at one single screen (the one where you see what you want, when you want, and where you want it), whenever I get a \u201cphysical\u201d project lately, the canvas seems to get bigger and bigger every time. It\u2019s as if brands were going from one extreme to the other when trying to communicate. Either you try to connect individually with millions of single humans or you make the canvas literally as big as possible to make people experience your brand. Many times live. Because when it comes to connecting with the heart of the people it\u2019s definitely all about experiences because they talk directly to the heart without asking permission from the rational. And live shows have long demonstrated they\u2019re an incredible place to make people overwhelmed by emotions.<\/p>\n\n\n<div style=\"max-width: 1280px;\">\n<div style=\"position: relative; height: 0; padding-bottom: 56.25%;\"><iframe loading=\"lazy\" style=\"position: absolute; left: 0; top: 0; width: 100%; height: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/1aGF1aNd5eo?controls=0\" width=\"\u201c1280\u201d\" height=\"\u201c540\u201d\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<\/div>\n\n\n<h1 class=\"wp-block-heading\">XXXL<\/h1>\n\n\n\n<p>Imag\u00ednate en un teatro esperando a que empiece el espect\u00e1culo y de repente el escenario comienza a girar sobre si mismo descubriendo una dimension inesperada. La m\u00fasica es \u00e9pica, y mientras los efectos de sonido realzan lo que est\u00e1 pasando delante de tus ojos, toda la escena comienza a moverse hacia abajo cre\u00e1ndote la sensaci\u00f3n de estar sobre un enorme ascensor. Ese es el principio del espect\u00e1culo \u201cSimurg\u201d. Un musical sobre las maravillas del imperio Otomano, sus ra\u00edces y su influencia en el alma de la sociedad turca actual, que se estren\u00f3 el pasado 6 de mayo de 2016 en el teatro del Hali\u00e7 Congress Center de Estambul como parte de una gira nacional y eventualmente internacional. Un proceso creativo que para mi empez\u00f3 el pasado mes de febrero cuando <a href=\"https:\/\/cultura.acciona.com\/en\/\" target=\"_blank\" rel=\"noopener\">Acciona Producciones &amp; Dise\u00f1o<\/a> me encarg\u00f3 la direcci\u00f3n creativa de este espect\u00e1culo multimedia de 80 minutos de duraci\u00f3n (<a href=\"http:\/\/bit.ly\/28PTtB3\" target=\"_blank\" rel=\"noopener\">m\u00e1s detalles aqui<\/a>).<\/p>\n\n\n\n<p>La mayor\u00eda de la proyecci\u00f3n 3D mapping med\u00eda 900 metros cuadrados, la superficie de 60 por 15 metros del frontal y los laterales del escenario. El resto de proyecciones durante las actuaciones fueron sobre una incre\u00edble pantalla de plumas de fondo de 30 por 5 metros (hecha con 25.0000 plumas). Y todo ello con la incre\u00edble ac\u00fastica de una orquesta de 42 m\u00fasicos y un coro de 45 personas en vivo. Una nueva experiencia de comunicaci\u00f3n de marca para mi. La comunicaci\u00f3n de marca de una sociedad dirigida a revitalizar el orgullo de todo un pa\u00eds.<\/p>\n\n\n\n<p>A medida que el mundo contempla fijamente una \u00fanica pantalla (aquella en la que ves lo que quieres, cuando quieres y como quieres), cada vez que me encargan un proyecto \u201cf\u00edsico\u201d, el lienzo parece hacerse mas y mas grande cada vez. Es como si las marcas fueran de un extremo al otro cuando se trata de comunicar. O intentas conectar con millones de personas individualmente o haces el soporte literalmente tan grande como sea posible para que las personas experimenten tu marca. En vivo muchas veces. Porque cuando se trata de conectar con el coraz\u00f3n de las personas, definitivamente las experiencias son clave, porque le hablan directamente al coraz\u00f3n sin pedir permiso a la raz\u00f3n. Y los espect\u00e1culos en vivo han demostrado ser un lugar incre\u00edble para conseguir emocionar a las personas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Imagine being in a theatre waiting for the show to begin and suddenly the scenario in front of you starts to turn around itself unveiling an unexpected dimension. The music is loud and, as sound effects support what\u2019s happening in front of you, the entire scene starts moving down, making you feel as if the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1453","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-brandcommunication","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/posts\/1453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/comments?post=1453"}],"version-history":[{"count":9,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/posts\/1453\/revisions"}],"predecessor-version":[{"id":2600,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/posts\/1453\/revisions\/2600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/media\/1722"}],"wp:attachment":[{"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/media?parent=1453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/categories?post=1453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenzobennassar.com\/blog\/wp-json\/wp\/v2\/tags?post=1453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}